Review: Lil Baby, ‘It’s Only Me’
Lil Baby coasts along his lengthy third studio album, aware of his prodigious status but rarely backing it up like he has in the past.
Category: Reviews
Review: Nicholas Craven & Boldy James, ‘Fair Exchange No Robbery’
Two underground powerhouses collide to deliver a high-level display of lyricism and beat making.
Review: Freddie Gibbs, ‘Soul Sold Separately’
The Gary, Indiana native explores lone wolf mentality from the comfort of his lounge chair, Gucci robe on and wine glass in hand.
Review: Rome Streetz, ‘KISS THE RING’
The long-awaited Griselda debut by Rome Streetz finally arrives, soaking itself in the obscure loops and sharp-edged bars that the movement helped popularize.
Review: Kid Cudi, ‘Entergalactic’
Kid Cudi’s tenth album circles around in mellow, moody and minimal ambience.
Review: K-Trap, ‘The Last Whip II’
K-Trap enters his second prime on The Last Whip II, a tenacious sequel cut from the same cloth as the classic predecessor.
Review: JID, ‘The Forever Story’
JID conquers the new age of hip hop with full conviction, delivering the album that takes his status from elite rapper to generational talent.
Review: Meechy Darko, ‘Gothic Luxury’
The Flatbush Zombies frontman unveils his long-awaited solo debut.
Review: Roc Marciano & The Alchemist, ‘The Elephant Man’s Bones’
The long awaited collaboration between two underground titans shifts listeners outside of their comfort zone, seeking adventure in uncharted territory.
Review: DJ Khaled, ‘God Did’
DJ Khaled’s thirteenth album is another big-budget collection with more durable songs than usual.
Review: Larry June, ‘Spaceships on the Blade’
Frisco’s finest levels up on his latest effort, lacing the masses with messages from his luxuriously healthy lifestyle.
Review: Aitch, ‘Close to Home’
Aitch’s debut album displays evolution, doing more than riddling in the life of the young and dumb.
Mic Cheque 