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Review: Nas, ‘Magic 2’
The Queensbridge legend’s fifth project with Hit-Boy shows it may be time to introduce new tricks to the act.
Review: J Hus, ‘Beautiful and Brutal Yard’
J Hus’ third album lingers on the spectrum of finesse and complacency, beautiful in potential yet brutal in execution.
Best Nas Songs: 30-1
The Queensbridge royal’s thirty best songs of his thirty-year career.
Review: Lil Uzi Vert, ‘Pink Tape’
Pink Tape is a lengthy and daring album that gets lost in its array of visions.
Review: Young Thug, ‘Business Is Business’
The Atlanta icon’s latest album has the spirit of a posthumous release, cobbled together in honour of the #FreeThug movement.
Review: Gunna, ‘A Gift & a Curse’
The YSL outcast addresses the elephant in the room, showing as long as the music delivers he’ll be just fine.
Lil Wayne Albums: Ranked
The Young Money frontman’s studio albums ranked worst to best.
Hip Hop’s Relationship with Basketball
Rap or go to the league—a look inside the crossover between music and American sports.
OGB: Brighton’s Brit-Rap Posse on the Rise
Brighton’s OGB collective are bringing dungeon rap to southeastern England.
Blanco and Kojey Radical Take “The Long Way”
Blanco continues his singles run with the summery Kojey Radical collaboration, “The Long Way”.
Review: Nines, ‘Crop Circle 2’
The sequel to Nines’ 2018 album presents an evolved vision, precise in picking its moments in favour of the bigger picture.
Review: Potter Payper, ‘Real Back in Style’
Potter Payper’s debut album is a theatrical blockbuster, setting his ambitions on the history books.
Mic Cheque 